One always tends to shoot a film to counter the film made before it; I shot this film to contrast with my last film, Notre paradis (Our Paradise), which is very somber and very masculine. And then, like most of us, as I grow old, I wanted to be more positive. Failing to devise any political solutions in answer to the issues, I have tried to find solutions for my characters. There’s something that could be called appeasement, almost “communion” in Catch The Wind.